October 30 - January 16, 2021
From the Museum:
“The Houston Museum of African American Culture (HMAAC) is pleased to announce the October 30, 2020 opening of Selected Works from The Paul R. Jones Collection of American Art at the University of Alabama. The exhibition, which is curated by UA’s Emily Bibb, ends January 16, 2021. The Jones Collection includes one of the largest and most comprehensive collections of 20th-century African American art in the world, amassed over decades by the late Paul Raymond Jones, who while alive was identified by Art & Antiques magazine as “one of the top art collectors in the country.”
The selected works at HMAAC include art by 40 artists, including Fahamu Pecou, Cedric Smith, Billy Dee Williams, Romare Bearden, Richard Hunt, Sam Gilliam, Ming Smith, Sheila Pree Bright, Whitfield Lovell, Jack Whitten, Benny Andrews, Kevin Cole, Wadsworth Jarrell and Houston’s Lionel Lofton.
Jones’ love of photography is highlighted in the works as well as his love for music. He was a civil rights activist and the pieces Harriet Tubman, Self Poison is Prison, Dialogue, Mrs. Fannie Lou Hamer, We Couldn’t Vote Then and Rhonda’s Comment remind us that issues presented 30-40 years ago still occupy our attention and challenge us to resolve them.
That Jones collection ended up at the University of Alabama involves some irony as well as an enlightening mutual respect by Jones and University officials. Irony because after attending college at Alabama State University and Howard University, Jones application to the University of Alabama Law School in 1949 was officially discouraged on the basis of race. Conversations between Jones and the University in 2008 resulted in his donation of 1,700 works and a later gift of 300 more. The Collection includes pieces created in a variety of mediums and from more than 600 artists. Reciprocally, the University built a state of the art storage facility for the work and additionally established a museum in Jones honor.
Paul Jones road to becoming an art collector began In the early 1960s, through his attendance at the annual African-American art shows organized by Hale Woodruff at Atlanta University. Those shows brought to his attention a shortage of African-American representation in public art exhibits. He began collecting works by African-American artists, often befriending the younger artists from whom he purchased works. He hosted receptions at his home to encourage colleagues to purchase art and put pressure on galleries and museums to recognize African-American artwork.
The genesis of the Collection being exhibited at HMAAC began in late 2018 with a visit to the museum by Dr. Robert Olin, the recently retired UA Dean College of Arts and Sciences, UA’s largest division. Olin, a mathematician known throughout the country for his thoughtful and creative approach to education, and for his scholarship, oversaw the receipt of the Collection by the University in 2008. He and HMAAC CEO John Guess, Jr. found a shared interest in multicultural conversations which led to a discussion of Jones and his multicultural collection. Guess’ subsequent visit to the University in March 2019 allowed him to meet with Collection Curator Emily Bibb and Museum Director Daniel White in addition to Dean Olin. The exhibit Bibb and Guess planned for earlier this year finally has found its way to Houston for this COVID-19 affected opening. Bibb will be giving a curator talk in November via Zoom.
According to Guess, “This has been such a fruitful relationship with the University of Alabama, and there is of course more artwork to mine from the Collection in the future to share with our audience.” He continued, “This exhibit is a wonderful introduction to the Paul R. Jones Collection.” Added HMAAC Board President Cindy Miles, “This exhibit and what follows enhances HMAAC’s tradition of academic collaborations begun with our symposia with Johns Hopkins University and our programs with Prairie View A&M University.”
The HMAAC photography exhibit, Alonzo Williams’ Everyday Strangers, shown earlier this year, and which was part of the Fotofest global curator program, travels to the Paul R. Jones Museum at the University of Alabama in 2021.
Selected Works From The Paul R. Jones Collection of American Art is made possible through the support of The Houston Endowment, HEB and the Board of Directors of The Houston Museum of African American Culture.
ABOUT THE PAUL R.JONES COLLECTION OF AMERICAN ART AT THE UNIVERSITY OF ALABAMA
The Paul R. Jones Collection of American Art at The University of Alabama includes one of the largest and most comprehensive collections of 20th-century African American art in the world, amassed over decades by Paul Raymond Jones, who has been described by Art & Antiques magazine as “one of the top art collectors in the country.” The Paul R. Jones Collection is designed to share the works of American artists and their significance with the people of Alabama and beyond and to be used to educate students on the importance of art in life. Works from the collection are on exhibit year-round at the Paul R. Jones Museum in Tuscaloosa, Alabama, and are exhibited in galleries and museums on the University of Alabama campus and at other educational institutions and venues. The collection is incorporated into curricula at The University of Alabama, providing students with opportunities to learn and experience the significance of the art firsthand.
ABOUT THE HOUSTON MUSEUM OF AFRICAN AMERICAN CULTURE
The mission of HMAAC is to collect, conserve, explore, interpret, and exhibit the material and intellectual culture of Africans and African Americans in Houston, the state of Texas, the southwest and the African Diaspora for current and future generations. In fulfilling its mission, HMAAC seeks to invite and engage visitors of every race and background and to inspire children of all ages through discovery-driven learning. HMAAC is to be a museum for all people. While our focus is the African American experience, our story informs and includes not only people of color, but people of all colors. As a result, the stories and exhibitions that HMAAC will bring to Texas are about the indisputable fact that while our experience is a unique one, it has been impacted by and has impacted numerous races, genders and ethnicities. The museum continues to be a space where a multicultural conversation on race geared toward a common future takes place.”
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