Feature

William Sarradet writes about art and experiences he encountered during the summer months of 2024.

Glasstire talks with Prospect New Orleans's director and curators about the exhibition's history, what to expect from the forthcoming triennial, and how the event incorporates local communities. 

This week: a group show featuring historically marginalized artists in Dallas, a solo exhibition focusing on the Third Ward in Houston, a show about lowriders and their legacy in Austin, and more.

Joseph Staley reviews a group show collecting the work of four contemporary abstract painters recently on view at David Shelton Gallery.

Gabriel Martinez reviews a new catalog documenting the artwork in a traveling two-person exhibition featuring Mark Dion and Alexis Rockman.

In our continuing series of interviews with Texas master printers, Caleb Bell talks with Richie Peña of Familia Printshop in Dallas.

Jessica Fuentes and Gabriel Martinez discuss this summer's group exhibitions and upcoming fall shows.

Jessica Fuentes writes about Dario Robleto’s artistic practice, which combines art and science to explore humanity and history.

Kaila Schedeen escribe sobre las historias entrelazadas en la instalación pública “Depósitos pasados de un futuro aún por venir” de Hubbard / Birchler.

Brandon Zech and Gabriel Martinez discuss their anticipated fall exhibitions in Texas, including a major survey of an important Texas artist in Houston, a homecoming for a Dallas-born artist at the Nasher Sculpture Center, an exhibition in San Antonio highlighting an influential Chicana artist, and more. 

Joseph Staley previews a show of paprika-infused drawings and resin cast books by Joe Havel on display at the Hôtel Tingry in Ménerbes, France.

Brandon Zech reviews a large-scale group exhibition of artists who played Exquisite Corpse using the U.S. Postal Service.

Daniel Orr reviews a show of work by a silent film cinematographer whose art bridges modern photography and early cinema.

Park Myers writes about a group show at Josh Pazda Hiram Butler that highlights artistic collaboration and candid inclusivity.

Neil Fauerso reviews a hypnotic performance at Ranch Apocalypse in South Austin.

William Sarradet writes about two exhibitions at Ivester Contemporary in Austin and the Old Jail Art Center in Albany.

This week: a two-person photo-based show in Houston featuring color and movement, a group exhibition in Austin focused on Black femininity and queer identity, a permanent collection show at a museum in Corpus Christi, and more.

Lauren Shults talks with Annie Arnold about social media, the humble brag, and the art of influencing.

Gabriel Martinez talks with curator Molly Everett about the artistic intersections of land, body, and history on view in "Resonant Earth" at the Moody Center for the Arts.

Jillian Wendel writes about a multimedia exhibition that pushes the boundaries of sculpture and responds to the architecture of the Nasher Sculpture Center.