MotherShip Studios, a studio and gallery space in southeast San Marcos, has announced the dates for its 2025 San Marcos Studio Tour.

Creative Capital, a nonprofit organization dedicated to supporting individual artists, has awarded $2.45 million in grants to creatives working in the visual arts, technology, performing arts, film/moving image, and literary arts.

Jonathan Rinck reviews an exhibition that collects a wide range of collage and assemblage works at Ruby City in San Antonio.

Max Tolleson speaks with Isabella Mireles Vik about working with ensembles of movement artists and the difficulties of staging performance work.

The Museum of Fine Arts, Houston’s Glassell School of Art has announced a change in duration and stipend for its Core Residency Program for artists and critics.

The National Endowment for the Arts has granted nearly $36.8 million in funding to arts organizations across the U.S., including over $1.5 million to 64 Texas institutions.

Gabriel Martinez reviews an exhibition of hand-tufted rugs which depict the perils of global migration.

Texans for the Arts will host its 2025 Texas Arts Advocacy Day on Wednesday, February 5, at the State Capitol.

Leslie Moody Castro talks with Jade Walker about new plans for the Elisabet Ney museum and the importance of historic artist studio museums.

Art museums in Beaumont, Tyler, McAllen, and Corpus Christi have announced exhibitions opening this Spring.

William Sarradet writes about two exhibitions on view at Pencil on Paper Gallery and the Museum of Fine Arts, Houston.

A video tour of the exhibition Robert Ruello: Signal Spirits at the Transart Foundation for Art and Anthropology, Houston.

Artadia, a national nonprofit grantmaking organization, has named the recipients of its 2024 Houston Artadia Awards, including Gabriel Martinez, Glasstire’s Editor-in-Chief.

Gabriel Martinez and Brandon Zech discuss their anticipated exhibitions in Texas, including solo shows of works by Marisol at the Dallas Museum of Art, Joe Overstreet at the Menil Collection in Houston, and Adrian Esparza at the Art Museum of Southeast Texas in Beaumont. 

An obituary for Marilyn Oshman, an arts professional, patron, and collector who was dedicated to serving the Houston art community.

Colette Copeland speaks to Texas artists who have participated in The Alternative Art School about the global community it provided.

The Association of Art Museum Directors and the National Coalition Against Censorship have issued public statements condemning the seizure of photographs by Sally Mann that were on view at the Modern Art Museum of Fort Worth.

The El Paso Museum of Art, the Grace Museum, and the Amarillo Museum of Art announce their Spring 2025 exhibitions.

Philip Kelleher reviews the environmentally-themed artwork in the 2024 Texas Biennial.

Lauren Moya Ford writes about the social and political implications of food in the work of Rolando Briseño.