“It was important for María Elena Ortiz (curator of Surrealism and Us) to use the term surreal because she was talking about this worldwide conversation. This is a movement that spanned great distances across the world.”
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This week’s podcast is sponsored in part by Prospect.6. The triennial exhibition is just around the corner, and registration for programming and events is officially open! From October 30 to November 3, experience the rich culture and dynamic art scene of New Orleans with VIP and public events across multiple venues. Plus, Gala tickets are now available! The P.6 Gala is a can’t-miss event, offering an unforgettable night of art, celebration, and giving back. This year, the event will honor luminaries in the art world with fantastic food, drinks, and live entertainment throughout the evening. It’s the perfect opportunity to support Prospect’s mission while enjoying a memorable evening with artists, curators, and art enthusiasts. Head to the Prospect New Orleans website now to secure your spot and grab your Gala tickets before they’re gone!
This week’s podcast is also sponsored in part by the Bayou City Art Festival in Houston’s Memorial Park, happening Friday through Sunday, October 11, 12 and 13, from 10 a.m. to 6 p.m. Meet and purchase art from more than 250 artists working in 19 different disciplines. Enjoy live entertainment stages, food trucks, a craft beer and wine garden, a VIP hospitality lounge, the Active Imagination Zone with activities for all ages, and more. The festival benefits several local nonprofits and offers something for everyone. Buy your tickets today at www.bayoucityartfestival.com
Related Readings:
—Glasstire: Surrealism and Us and a Path Forward
—New York Times: Surrealism Is 100. The World’s Still Surreal.
—Glasstire: Dueling Cabinets of Curiosities: the Menil and the MFAH
—Glasstire: A Look at the Newly Reopened Menil Collection
—Glasstire: Museum Exhibitions Coming to Central Texas this Fall
—Glasstire: New Works in the Fort Worth Iteration of Soy de Tejas
—Glasstire: Dario Robleto: Between Art and Science