October 30 - December 19, 2015
"Duggins continues to refine themes from previous bodies of work, in this case as a body of related sculptures. Emphasizing the discrepant seductive and repellent aspects of the natural world, Duggins uses a very limited palette of cast resin, charred wood, and dyed industrial felt to draw viewers into works that are at once meditative and grotesque." Not the normal, pretty clean space of a normal gallery.
An exhibition of paintings created by Alissa Blumenthal between 1950 and 1970. Studying under Kazimir Malevich, Blumenthal believed in the metaphysical significance of abstraction and tried to represent...Read More
An exhibition of photographs by The Bridge Club. Documenting performances from the past two years, the images reference a collective persona, while hinting at individual...Read More
Dallas-based Schwarz presents her ruminations on otherwise forgettable domestic moments. Lyrical and accomplished, small-scale paintings.
An exhibition of graphic screen prints by Jeffrey Dell, completed during a recent artist residency in Lubbock, TX.
An exhibition of art objects by Eric Zimmerman questioning the artifacts, evidence, and symbols we use to construct knowledge. The show’s title references a section...Read More
A selection of small-scale works on paper made by artist Susan Whyne while she was living in the San Francisco Bay area (between 1969 and...Read More
A show of new paintings on canvas and paper by Albuquerque-based artist Raychael Stine, who layers abstract gesture and representation.
Ceramic sculptures by Houston artists Angel Oloshove
Bradley Kerl’s newest paintings and collages playfully subvert the viewing process by framing imagery with arches.
Ebony Porter presents a selection of hand-quilted pieces inspired by a cross-section of the American landscape, cultural histories, folklore, and minimalism. As studies in patience...Read More
Deborah Roberts contradicts and exposes uncomfortable truths, taboos and myths about Black identity and idealized beauty, giving a contemporary voice to personal and political histories.
Tactile paintings blur one’s ability to distinguish landscape from figure and movement from stillness. In a palette ranging from mouthwatering frosting to sallow drywall putty,...Read More
Two Houston artists share a common interest in simple forms with suggestive contours and keyed-up color, tempering the sublime with the slapstick comedy of spoonerisms,...Read More
Summer group show with Justin Boyd, Elaine Bradford, Jeffrey Dell, Peat Duggins, Nathan Green, Tatiana Istomina, Bradley Kerl, Joe Joe Orangias, Linda Post, Raychael Stine,...Read More
All the pathos and beauty of Dutch floral still lifes, crummily reimagined for the 21st century, courtesy of the 99¢ store.
A group exhibition about the beautifully irregular.
Day’s recent work is inspired by an interest in thinking about freedom. His portraits are of prominent American religious leaders.
In his fifth solo presentation with Art Palace, Green further explores the formal and structural qualities of abstract painting.
A nice group show of Art Palace regulars: Mike Beradino, Elaine Bradford, The Bridge Club, Jeffrey Dell, Nathan Green, Charlie Morris, Jim Nolan, Linda Post, Raychael Stine, Barry...Read More
In Stine’s first solo exhibition at Art Palace, her work slips between traditional representation and abstract gesture.
Art Palace presents Look Near Into the Distance, a solo exhibition by Austin-based artist Barry Stone. Stone’s work bridges the intersection between truth and fiction,...Read More
Art Palace’s summer group show featuring gallery artists and friends.
Art Palace presents the first retrospective of Alissa Blumenthal (1899-1995), an American painter of the 20th-century, whose work has received increasing attention since its rediscovery...Read More
Morris explores the depersonalized distance caused by an excess of text, images, and other media.
Using her direct experience with a place, event or object as a catalyst, Rizzo abstracts, invents and explores new realities in painted space and form.
Photographs connect the spaces, objects and roles occupied by The Bridge Club’s temporal performance works.
Duggins questions the way that nature is reduced to a fetish in his forth solo exhibition at Art Palace.