Three things attract me most to July’s work, and she hit on them in the Dallas lecture: her refusal to reduce her work to a specific medium or genre, her enigmatic and very flawed characters, and the element of interactivity with real people to activate her work.
winspear opera house
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The New York Times today reported on a new study on over-zealous building campaigns at cultural institutions which mentioned the Chicago Art Institue’s Modern Wing, Dallas’ Winspear Opera House and…