Feulmer's work here brings together the cultural impact of 'Star Wars,' the earliest forms of writing in history, and the role of museums in defining value systems.
reading room
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The show's implied literary bent is a bit of a red herring. Technique is the star.
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The show is both a document of Divecchia’s process, and the origin story of an artistic project.
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Bryant explores his own relationship with specific figures in art history in an attempt to find new meanings, and perhaps challenge the old ones.
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The work is always about Texas, even when it isn’t.
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Review
Notes on Arthur Peña’s “Endless/Nameless” at the Reading Room, Dallas
by Lee Escobedoby Lee EscobedoWhen the characters in Peña's piece speak his words, the room takes on a certain stillness, much like the weight of witnessing someone undress for the first time, or the last.
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Krach’s show title comes from a place of romantic sadness over a popular painting’s potential disappearance.
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Sortor becomes a producer of meaning instead of just a passive consumer. Her work here shows the pleasure of improvisation.
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On Saturday, June 16, eight galleries located in the Deep Ellum and Expo Park kick off the Summer together with East Dallas Gallery Day. Barry Whistler, The Public Trust, Kirk…
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This last April I attended a curators’ symposium in Austin during the Texas Biennial. It was a day-long series of panel discussions and presentations hosted by Arthouse, right around the…