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New York

Shift Your Known Position to The Light; Alvin Baltrop at the CAMH

Shift Your Known Position to The Light; Alvin Baltrop at the CAMH

By Sebastien Boncy on October 19, 2012

Alvin Baltrop’s photographs, most of them taken at the Hudson River pier between the 70s and 90s constitute the CAMH’ s latest Perspectives exhibition: Dreams [...]

Posted in Monocular | Tagged 291, Alfred Stieglitz, Alvin Baltrop, camh, Contemporary Art Museum Houston, Dreams Into Glass, François Duvalier, Haiti, Hospice, Hudson River Pier, Jean Dominique, Jonathan Demme, New York, Papa Doc, paul strand, Perspectives 179, Randal Wilcox, The Agronomist, Valerie Cassel, Valerie Casssel Oliver, Whores, Yossi Milo | Leave a response

Los Angeles County Museum of Art on Fire (1965-68), Ed Ruscha, Oil on canvas 53½ x 133½ in Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., Gift of Joseph H. Hirshhorn, 1972, Photography by Lee Stalsworth © Ed Ruscha

Seven Most Annoying Misconceptions About LA

By Carol Cheh on May 30, 2012

Not unlike Texas, Los Angeles suffers from some art world stereotypes. In honor of our recently launched Southern California site, Glasstire SoCal, we present Los [...]

Posted in Article, Feature, The Ten List, Uncategorized | Tagged cultural wasteland, glasstire socal, los angeles, New York, Reyner Banham, startucker, The Architecture of Four Ecologies | 6 Responses

Art Narc: Vildelife

Art Narc: Vildelife

By Sarah Fisch on January 23, 2012

My former landlord in Williamsburg, Brooklyn—a sphinx-like Teutonic manchild who sublet me one of the ad-hoc drywall sleeping lofts in the colossal warehouse he leased [...]

Posted in Art Narc, Article, Feature, Uncategorized | Tagged bad art, Beuys, Chupacabrona, contemporary art, Glasstire, good art, landlord, New York, opossum, possum trap, Sarah Fisch, Stella, warehouse, Warhol, Williamsburg | 5 Responses

Glasstire is a non-profit 501(c)(3) corporation. Our supporters include The Houston Endowment, The Brown Foundation, Inc., Houston Arts Alliance, The Texas Commission on the Arts, and The Nightingale Code Foundation.

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