Christina Rees and Christopher Blay on works by a newly minted DFW artist, sinister photographs in Austin, and an artist who plays with Moon-landing paranoia.
Mike Osborne
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Emptiness and woe in some of the pictures are invested with a poetic force and certain street scenes emit and reflect light like visionary theater settings.
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The leather padded seats welcomed my presence, but their sharp angles did not exactly promote lounging.
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BlogGlasstire
Lakes Were Rivers: Contemporary Photographic Practice and the Archive
by Lee Websterby Lee WebsterDigging into the Ransom Center's 40 million manuscripts, rare books and works of art, guided by the meandering lenses of the Lakes Were Rivers artists is time well spent.