By Rachel Hooper on December 4, 2012
Paul Middendorf came to Houston for the first time as curator of the 2010 Big Show at Lawndale Art Center. He was impressed with the [...]
Posted in Blog, Wax by the Fire | Tagged christine west, cody ledvina, crutch master, dennis nance, Gallery Sonja Roesch, galleryHOMELAND, istanbul biennial, jeffrey deitch, Lawndale Art Center, lawndale big show, Mac Whitney, manifest artistry, mary mattingly, paul middendorf, portland, Scope Fair |
By Bill Davenport on July 15, 2012
Dallas art writer and collector June Mattingly’s new e-book The State of the Art: Contemporary Artists in Texas, is out-available for Nook, Kindle and iPad. [...]
Posted in Newswire | Tagged adela andea, Allison Smith, Amy Blakemore, and Billy Zinser, Ann Stautberg, annette lawrence, Benito Huerta, Bert Long, Bill Haveron, Billy Hassell, Brad Goldberg, Brad Oldham, buster graybill, Catherine Lee, Charles Mary Kubricht, david aylsworth, David Bates, David Hirschi, donald judd, Douglas Cartmel, erick swenson, Faith Gay, Francesca Fuchs, Gabriel Dawe, Gael Stack, George Tobolowsky, Hana Hillerova, Harry Geffert, Hillerbrand+Magsamen, Howard Sherman, Hubbard/Birchler, james magee, james surls, Jason Willaford, jeff elrod, Jeff Shore/Jon Fisher, jesus moroles, Joe Mancuso, John Pomara, joseph cohen, Joseph Havel, jules buck jones, julie speed, Kana harada, Kelli Vance, Kent Dorn, Kirk Hayes, Lance Letscher, Lawrence Lee, Leslie Wilkes, Linda Ridgway, Linnea Glatt, Liz Ward, Lorraine Tady, Ludwig Schwarz, Mac Whitney, Marcelyn McNeil, margarita cabrera, Margo Sawyer, mark flood, Mary McCleary, melissa miller, Michael Miller, Murielle White, Nic Noblique, Pam Nelson, Ricardo Paniagua Aaron Parazette, Richie Budd, Robyn O’Neil, Ruben Nieto, Rusty Scruby, Sam Reveles, Sara Williams, shawn smith, Sherry Owens, Steve Wiman, Susie Rosmarin, Ted Kincaid, Terrell James, The Art Guys, tom lauerman, Tom Orr, Tommy Fitzpatrick, Trenton Doyle Hancock, Troy Brauntuch, Vernon Fisher, Vincent Falsetta, Virginia Fleck, william betts, William Cannings |
