Featuring submissions by (among others) Justin Ginsberg, Jessamyn Plotts, Emily Peacock, and Trey Burns with Taylor Shields.
Gregory Ruppe
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Episode One is titled "HUGS" and features a wide cast of artists; Episode Two is currently in production.
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Christina Rees and Rainey Knudson on a singing tree, a Fugazi concert without the songs, and the Museum of Fine Arts, Houston’s recent campus expansion.
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On Sunday, August 13 at 11 a.m., DFW artist/musicians Bruce Blay, Gregory Ruppe and Danny Skinner will perform a sound-based interpretation of Doug Aitken’s current retrospective at the Modern Art Museum…
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The Nasher Sculpture Center’s still-newish microgrant initiative means money for artists in the DFW region, and the names of the latest round of artist winners have been released. The 2016…
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Gregory Ruppe and Jeff Gibbons, two Dallas-based visual artists who often collaborate and recently launched the venue-within-a-venue Culture Hole, have designed the sets for an upcoming performance by Dallas Neo-Classical Ballet. Poe’s Masque…
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Two recent shows essentially brought blatant sexuality back to a basic truth: we are animals, born naked and without self-consciousness about our bodies and our sensuality.
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Christina Rees and Brandon Zech on creepy holes, 24-hour marathons, and aggressive girly seduction. 1. Charles Atlas in Performance The Paramount Theatre (Austin) January 9, 8–10PM A performance by Charles Atlas featuring…
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Today, from 6-10 PM, Beefhaus will present short films by twenty different artists. The program has a strong Texas base, featuring numerous local favorites, including Gregory Ruppe, Michelle Rawlings, and Pierre Krause (read our profile on Krause…
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“Be fucking modern. If someone is taking a selfie with your piece, I think that’s fucking valid. I think that means you’re on to something. I’m glad you’re vibing out.”
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The works in this show inhabit a world where new and old dangers, and the futile attempts to establish safety, are the New Normal.
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A brief meditation on the size of Texas and the variety of people and concerns as it relates to art communities, cross-pollination, and even Glasstire.
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You can watch it from the sidewalk, or even from your car if you don't want to leave your air conditioning.
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Boom Town whispered, “Here we are, look what we are capable of.” On the last day, when the roar of POST COMMUNIQUÉ and the Dallas VideoFest had lessened, the works in Boom Town were given the chance to scream this message out loud.
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BlogShelf Life
Gregory Ruppe and Timothy Harding: The Landscape is Motorized at 500X
by Lucia Simekby Lucia SimekI’m late on this—the show I am about to review closed last weekend. It has likely been packed up and moved, making space for the next thing. Art shows are…