Both artists are consciously flippant in their grandiosity—despite an interest in simulacra, photorealism, and op-art, the crux of Elrod's work is its archaic presentation as grand painting.
Both artists are consciously flippant in their grandiosity—despite an interest in simulacra, photorealism, and op-art, the crux of Elrod's work is its archaic presentation as grand painting.