Browse: Home / Claire Ruud
By Bill Davenport on December 2, 2012
After almost ten years, . . .might be good, the bimonthly online magazine published by Austin’s Fluent-Collaborative, is going on hiatus for the foreseeable future. [...]
Posted in Newswire | Tagged Claire Ruud, fluent collaborative, laurence miller, might be good, regie basha |
By Claire Ruud on February 9, 2012
Julieta Aranda, Hills Snyder and Regine Basha at Sala Diaz Regine Basha was recently appointed Executive Director of Artpace, San Antonio, a position she’ll assume [...]
Posted in Article, Interview, Uncategorized | Tagged Artpace, Claire Ruud, matthew drutt, regine basha |
By Claire Ruud on June 17, 2011
(For Part I and Part II, click here and here.) This series has considered the finances of a number of mid-sized, contemporary U.S. arts institutions [...]
Posted in Article, Feature | Tagged amoa, arthouse, Bill Arning, CAC, CAM, camh, Claire Ruud, Contemporary Art Museum Houston, Contemporary Art Museum St. Louis, Houston, Marti Mayo, New Orleans, St. Louis, stan vanderbeek |
By Claire Ruud on June 10, 2011
(To read Arthouse and the Dallas Contemporary: Crunching the Numbers, Part I, click here.) In 2009, the Austin Museum of Art (AMOA) cancelled its plans [...]
Posted in Article, Feature | Tagged 990s, amoa, AMOA Arthouse merger, annual surplus or deficit, arthouse, artlies, austin museum of art, blanton museum of art, budget, capital campaigns, Claire Ruud, Co-Lab, dana friis-hansen, Domy, fundraising, funraising efficiency, Laugna Gloria, MOCA, MOCA jacksonville, Museum of Contemporary Art Jacksonville, ned rifkin, New Art in Austin, Okay Mountain, Tucson Museum of Art |
By Claire Ruud on June 3, 2011
In an attempt to figure out what the hell has been going on at Texas institutions lately, I’ve been playing around with some numbers. Since [...]
Posted in Article, Feature | Tagged 990s, arthouse, arthouse amoa merger, austin museum of art, budget shortfall, capital campaign, Claire Ruud, Contemporary Arts Museum Houston, deficit, donations, endowment, Guidestar.org, Mickey Klein, mismanagment, San Jose Institute of Contemporary Art, Sue Graze, Texas contemporary art, Texas museums, The Dallas Contemporary |
By Claire Ruud on April 30, 2011
The implosion of the Austin art world has got me thinking about art world power dynamics, as I mentioned last week in my published correspondence [...]
Posted in Article, Feature | Tagged academics, amoa, art world, arthouse, artists, blanton, Claire Ruud, collectors, control of resources, critics, curators, dana friis-hansen, directors, distinctions, foundations, gallerists, Jeffrey Pfeffer, knowledge, ned rifkin, networks, philanthropists, power in the art world, Power: Why Some People Have It—and Others Don’t, simone wicha, sources of power, Sue Graze, taste, The Coppola Smart Mob |
By Rachel Cook and Claire Ruud on April 20, 2011
Recent events (scandal?) at Austin’s Arthouse have provoked plenty of public and private conversations amongst artists and curators in Texas and beyond. The duo [...]
Posted in Article, Feature | Tagged arthouse, Arthouse 5 x 7, arthouse scandal, artists for arthouse, censorship, Claire Ruud, Common as Air, cook & ruud, cultural supporter, cultural worker, Elizabeth Dunbar, Graham Hudson, Karl Haendel, Lewis Hyde, Michelle Handelman, mission, money, Nonprofit Finance Fund, nonprofits, Rachel Cook, Sue Graze, The Gift: Creativity and the Artist in the Modern World, The Power Broker, Warner Music Group |
