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The Houston Fine Art Fair and The Texas Contemporary Fair: Twice the fairs equals twice the drama

The Houston Fine Art Fair and The Texas Contemporary Fair: Twice the fairs equals twice the drama

By Kelly Klaasmeyer on June 27, 2011

So you may have heard, Houston is getting an art fair. Um, actually two art fairs. There has been a ridiculous amount of controversy surrounding [...]

Posted in Article, Feature | Tagged 29-95 blog, ACME Gallery, Adelaide de Menil, Alejandra von Hartz Gallery, Amory Show, Anya Tish Gallery, Arevalo Gallery, Art Basel Miami Beach, Art in America, Art League Houston, Art Nouveau Gallery, Art Palace, Art Palm Beach, ArtAspen, Arte Consultores, artMRKT, Artpace, Babcock Galleries, Baer Ridgway Exhibitions, Ballroom Marfa, Baltimore, Barbara Davis Gallery, Barcelona/Palma de Mallorca, Berlin, Bill Arning, Bogota, Brazil, bryan miller gallery, C. Grimaldis Gallery, carpetbagger, Catharine Clark, Champion Gallery, Charlie James Gallery, Charlotte, Chicago, Christophe de Menil, Christopher French, City of Houston, Community Artists' Collective, Contemporary Arts Museum, dallas, David Lusk Gallery, David Shelton Gallery, DCKT, Dean Project, Diana Lowenstein Fine Arts, DiverseWorks Art Space, Dot Fiftyone Gallery, douglas britt, Douglas Dawson Gallery, Dusseldorf, fair organizers, Ferran Cano Galeria, fluent~collaborative, FotoFest, Fran Kaufman, fredericka hunter, Fredericks & Freiser, Fredric Snitzer Gallery, Galerie Caprice Horn, Galleri Urbane, Gallery Sonja Roesch, Gering & Lopez, Ginocchio Galeria, Glassell School of Art Core Program, Hamptons Expo Group, Hardcore Contemporary Art Space, Havana, Hiram Butler Gallery, Hollis Taggart Galleries, Hong Kong, Hotel Occupancy Tax, Houston, houston arts alliance, Houston Chronicle, houston fine art fair, Houston Museum of African American Culture, Hurricane Ike, inman gallery, Jack Fischer Gallery, John Cleary, Jonathan Glus, kerry inman, La Casona Galería, Latin American, Lawrimore Project, Lennon Weinberg, LewAllen Galleries, Like the Spice Gallery, Los Angeles McCormick Gallery, Louis Stern Fine Arts, Magnum Photos, Manneken Press, Marfa/Dallas, María Ines Sicardi, Marshal Lightman, max fishko, McClain Gallery, Melberg Gallery, Memphis, Meredith Long and Company, Mexico DF, Misako & Rosen, Moody Gallery, Muriel Guepin, museum of fine arts, Museum of Fine Arts Houston, Nancy Hoffman Gallery, NYC, Oscar Cruz Galería, P.P.O.W., palmbeach3, Pan American Art Projects, Paris, Paul Kopeikin Gallery, Paul Thiebaud Gallery, Pavel Zoubok Gallery, Peter Fetterman Gallery, peter marzio, Project Row Houses, Prospect New Orleans, Prospect.1, Rena Bransten Gallery, Richard Levy Gallery, Rick Friedman, Robert Wilson, Rosenberg + Kaufman Fine Art, Ruiz-Healy Art, Samuel Freeman, Santa Fe, Santa Monica, São Paulo, Schuebbe Projects, Seattle, Seine 51, Servando Galería, Sicardi Gallery, Skydive, Soros Foundation, St. Louis, Steve Turner Contemporary, Sundaram Tagore Gallery, Susan Inglett Gallery, Tally Beck Contemporary, Terry Sultan, Texas Contemporary, texas contemporary fair, Texas Galleries, Texas Gallery, Thatcher Projects, The Art Newspaper, The Guadalupe Cultural Arts Center, The Orange Show, Tokyo, Valley House Gallery & Sculpture Garden, Vincent Vallarino Fine Art, Wade Wilson Art, William Shearburn Gallery | 5 Responses

Arts writers in hard times: notes from the chopping block

Arts writers in hard times: notes from the chopping block

By Sarah Fisch on June 24, 2011

Elizabeth Kramer, an arts journalist who writes for the Gannett-owned  Louisville Courier-Journal, escaped massive layoffs on Tuesday, when the paper shed ten percent of its [...]

Posted in Chupacabrona | Tagged American culture, art criticism, Artpace, arts journalism, blogs, Creative Capital, Dave HIckey, economic recession, Glasstire, Great Depression, Hilton Als, iMovie, Jeff Weinstein, Los Angeles theater, louisville courier-journal, media layoffs, NEA, NYFA, print media, Rick Frederick, role of art criticism, Sasha Anawalt, Texas contemporary art, theater criticism, USC-Annenberg Arts Journalism Institute | 6 Responses

Arthouse. I took this photo, and it's not so great, I know.

Arty Party opens Texas Biennial

By Sarah Fisch on April 19, 2011

I don’t think I’ve ever had an interesting conversation that began with the other person saying, “When I was at Burning Man…” I’m not saying [...]

Posted in Chupacabrona | Tagged Arthouse at the Jones Center, Artpace, austin, Austin Bergstrom Airport, Austin contemporary art, Austrian Ambassador, Blue Star Contemporary Art Center, Burning Man, Camp Street, Congresswoman Barbara Jordan, Daisy Goatherd, Esteban Delgado, Junghee Mun, Linda Pace, LSD, margarita cabrera, Nicolas Cage, Piotr Chizinski, Plaza de Armas, Ryder Jon Piotrs, San Antonio contemporary art, Sarah Fisch, Texas Biennial, Texs Biennial opening party, Wicker Man | 7 Responses

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