By Leslie Castro on February 4, 2013
I’m glad to see Laguna Gloria being used as an art spot within the AMOA-Arthouse dialog, but there still seem to be some issues [...]
Posted in LMC y Pensamientos Pochosos, Uncategorized | Tagged amoa, Ann Tarantino, arthouse, Bethany Johnson, Laguna Glaoria, Shapeshifting |
By GT contributors on September 6, 2012
Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super [...]
Posted in Article, Feature, Uncategorized | Tagged a useful life, A Wrinkle In Time, aaron landsman, aaron parazette, amoa, Andy Campbell, Andy Coolquitt, animals, Ann Stautberg, Anne Wilkes Tucker, Annenberg Space for Photography, archetype, Architecture, art, Art Museum of Southeast Texas, arthouse, Artpace, austin, austin museum of art, BEAUMONT, ben lima, Benito Huerta, Beverly Penn, blaffer, box 13 artspace, Brooklyn Museum, bureaucracy, Burt Long, Canis Familiaris, Carter Ernst, Cathy Cunningham-Little, Charles Jones, Charmaine Locke, children, Chinati Weekend 2012, chris powell, claes oldenburg, Co-Lab, Co-Lab Projects, Colby Bird, collage, Colombia University, commercial images, Conduit Gallery, contemporary, coosje van bruggen, Corcoran Gallery of Art, Corinne Jones, Cornelia Parker, cosmopolitanism, culture, dallas, DB12: Volume 2, denison university, Día de los Muertos, diverseworks, DIY, Documentary, East Texas, Ed Hill, el paso museum of art, El Paso Public Library, Elizabeth Akamatsu, Emily Roysdon, erika osborne, Eugene Binder Gallery, Eva Rothschild, exhibition, Federico Veiroj, film, Fl!ght gallery, fort worth, Fort Worth Contemporary Arts, found objects, Frank Tolbert, FringeNYC, front gallery, glassblowing, Global Lens, Gregg Bordowitz, hair, Harris Lieberman Gallery, Harry Geffert, Hilary Harnischfeger, House Lamps, Houston, installation, james surls, janeil engelstad, Janet Chaffee, Jeffers Theatre, Jerolyn & Roger Colombik, jesus moroles, Joan Batson, joe rosenthal, john wilcox, Judy Rushin, Julie Bozzi, Justin Parr, Ken Little, kia neill, Kris Pierce, Kristin Gamez, Lawndale, Lesbians to the Rescue, Letitia & Sedrick Huckaby, Liam Gillick, Linda Ridgway, Liza & Lee Littlefield, local government, LTTR, Manuel Carrillo, Marfa, mari hernandez, Marianne Green, Mario Ybarra Jr., mark cole, Mark McDaniel, Martha Rosler, más rudas collective, Más Triste San Antonio, menil, menil drawing institute, mexic-arte, mfah, michelle white, mitchell center, Modern Art Museum of Fort Worth, modernism, modular design, Mona Hatoum, Moody Gallery, multimedia, multimedia storytelling, museum of fine arts, Nasher Sculpture Center, natalie zelt, New York International Fringe Festival, nut milk, NYIFF, off-the-grid, Otis Jones, painting, panhandle, Paul Kittelson, paul strand, performance art, Photographic Society of America, photography, piero fenci, pop art, public action, Randy Twaddle, Rebecca Drolen, Renzo Piano, richard wentworth, rio grande valley, robert kinmont, Ruth Leonela Buentello, San Antonio, Sarah Castillo, sauerkraut, Shannon & William Cannings, Sharon Engelstein, Sightings, silkscreen, Slanguage, sol lewitt, south texas underground film, SRO Photo Gallery, Stephen Lapthisophon, Susan Budge, sustainable farming, Suzanne Bloom, technology, terri thornton, Terry & Jo Harvey Allen, Texas, Texas State University Galleries, texas tech, The Dallas Bienniel, The Guadalupe Cultural Arts Center, the Menil Collection, The Reading Room, The Sleepy Border Town Insomniacs, Tommy White, TRR, Unit B, university of georgia, university of texas pan american, UT Arlington, UTPA, VAC, Vernon Fisher, Vincent Falsetta, virtual, Visual Arts Center, Waiting for Godot, war, whole foods, will michels, William Campbell Contemporary, window works, women, women & their work, worm farm |
By Bill Davenport on March 4, 2012
South by Southwest is coming to Austin, and visual and dramatic arts groups are hunkering down to weather the tsunami of visitors almost exclusively focused [...]
Posted in Newswire | Tagged arthouse, ballet austin, sxsw jeanne clair van ryzin |
By Leslie Castro on January 11, 2012
With the New Year comes a time for reflection. This year my annual reflection comes straight off the heels of a two-week trip to [...]
Posted in LMC y Pensamientos Pochosos, Uncategorized | Tagged amoa, arthouse, austin, Distance, New Year, Transition, Visual Art World |
By Bill Davenport on January 4, 2012
Elizabeth Dunbar, the former curator and associate director at Austin’s Arthouse before its conflation with the Austin Museum of Art, has been named Executive Director [...]
Posted in Newswire | Tagged arthouse, diverseworks, elzabeth Dunbar |
By GT contributors on January 3, 2012
Glasstire’s contributors suss out the season’s most promising shows. AUSTIN Evidence of Houdini’s Return Arthouse/AMOA January 4 – March 4, 2012 Arthouse and AMOA are [...]
Posted in Article, Feature, Uncategorized | Tagged amoa, arthouse, Bill Davenport, Diana Al-Hadid, Facundo Argañaraz, J. Parker Valentine, katie geha, Katja Mater, lucia simek, rainey knudson, Sarah Fisch, spring preview texas, Sterling Allen, Visual Art Center |
By Bill Davenport on December 23, 2011
The Austin-American Statesman’s Jeanne Claire van Ryzin reports that longtime Arthouse Director Sue Graze will be teaching a graduate seminar at UT called “Staying in [...]
Posted in Newswire | Tagged arthouse, Sue Graze, ut |
By Margaret Meehan on November 29, 2011
Visual AIDS began Day With(out) Art on December 1st, 1989 as a national day of action and mourning in response to the AIDS crisis. It [...]
Posted in Melba Toast | Tagged AIDS, amoa, arthouse, Artpace, Contemporary Arts Houston, creative time, Day without art, Fort Worth Contemporary, SMU Dallas, Texas, Visual AIDS |
By Claire Ruud on November 2, 2011
Think of a newlywed couple moving in together for the first time. Writing the prenup was hard and planning the wedding was an emotional rollercoaster, [...]
Posted in Blog | Tagged amoa, arthouse, austin art, austin museum of art, Merger, nonprofit mergers |
By Bill Davenport on November 1, 2011
After months of backroom talks and explorations, the boards of the AMOA and Arthouse have declared the orgs united. The merger makes financial sense: the [...]
Posted in Newswire | Tagged arthouse, austin museum of art, jack nokes, laguna gloria, Mickey Klein, texas fine arts association |
By Claire Ruud on October 7, 2011
When the AMoA and Arthouse announced that they were beginning discussions about some sort of merger, it kicked up a dust storm in Austin worthy [...]
Posted in Blog | Tagged amoa, arthouse, austin museum of art, nonprofit mergers |
By Sarah Fisch on September 6, 2011
EXTRA FALL RECOMMENDATIONS! If I had my druthers, the climate of Central-South Texas would chill the fuck out starting September 1st. We’d all wear long [...]
Posted in Blog, Chupacabrona, Uncategorized | Tagged 1906 SMART space, Albright-Knox Gallery, Anne Wallace, arthouse, Beto Gonzales, Bihl Haus Arts, By Permit Only, CHRISTEENE, Chupacabrona, Devon Dikeou, ethel shipton, Fotoseptiembre, Gabriel Bernal, Guadalupe Cultural Arts Center, Hana Hillerova, Instituto Cultural de México, John Bowman, Joshua Bienko, Leslie Moody Castro, Luminaria Arts Night, Mary mikel Stump, Michael Mehl, MIXMASTERS: This Is Who We Are, patty ortiz, Rodolfo Choperena, San Antonio, San Marcos, Susie Rosmarin, Texas State, UNAM, vincent valdez |
By Bill Davenport on August 30, 2011
Sue Graze, director of Arthouse since 1999 has resigned as Executive Director to become Director Emeritus. Graze has has shepherded the org through a name [...]
Posted in Newswire | Tagged arthouse, dario robleto, rthouse, Sue Graze |
By Bill Davenport on August 4, 2011
Outstanding teen education programs at Austin’s Arthouse have earned that org an invitation to the National Convening for Teens in the Arts organized by the [...]
Posted in Newswire | Tagged arthouse, ashley love, club arthouse, erin gentry, hector romero, ica boston, national convening, National Convening for Teens in the Arts |
By Claire Ruud on June 17, 2011
(For Part I and Part II, click here and here.) This series has considered the finances of a number of mid-sized, contemporary U.S. arts institutions [...]
Posted in Article, Feature | Tagged amoa, arthouse, Bill Arning, CAC, CAM, camh, Claire Ruud, Contemporary Art Museum Houston, Contemporary Art Museum St. Louis, Houston, Marti Mayo, New Orleans, St. Louis, stan vanderbeek |
By Claire Ruud on June 10, 2011
(To read Arthouse and the Dallas Contemporary: Crunching the Numbers, Part I, click here.) In 2009, the Austin Museum of Art (AMOA) cancelled its plans [...]
Posted in Article, Feature | Tagged 990s, amoa, AMOA Arthouse merger, annual surplus or deficit, arthouse, artlies, austin museum of art, blanton museum of art, budget, capital campaigns, Claire Ruud, Co-Lab, dana friis-hansen, Domy, fundraising, funraising efficiency, Laugna Gloria, MOCA, MOCA jacksonville, Museum of Contemporary Art Jacksonville, ned rifkin, New Art in Austin, Okay Mountain, Tucson Museum of Art |
By Claire Ruud on June 3, 2011
In an attempt to figure out what the hell has been going on at Texas institutions lately, I’ve been playing around with some numbers. Since [...]
Posted in Article, Feature | Tagged 990s, arthouse, arthouse amoa merger, austin museum of art, budget shortfall, capital campaign, Claire Ruud, Contemporary Arts Museum Houston, deficit, donations, endowment, Guidestar.org, Mickey Klein, mismanagment, San Jose Institute of Contemporary Art, Sue Graze, Texas contemporary art, Texas museums, The Dallas Contemporary |
By Rainey Knudson on May 27, 2011
The fantasy goes something like this: Most everyone was pleased with the clear, focused vision for the 2011 Texas Biennial. It was a brilliant success, with [...]
Posted in Article, Feature | Tagged arthouse, austin art, camh, Cowboys Stadium, fort worth modern, james magee, mary ellen carroll, mcnay, rainey knudson, Sarah Fisch, Texas Biennial, texas prize, Trenton Doyle Hancock, Virginia Rutledge |
By Bill Davenport on May 4, 2011
Artists Annette Lawrence an Mike Smith have been elected to the board of directors of Arthouse, the embattled Austin art venue. The vacant spots on [...]
Posted in Newswire, Uncategorized | Tagged annette lawrence, arthouse, arthouse board of directors graze, arthouse dunbar, arthouse lawrence graze, arthouse smith, mike smith |
By Claire Ruud on April 30, 2011
The implosion of the Austin art world has got me thinking about art world power dynamics, as I mentioned last week in my published correspondence [...]
Posted in Article, Feature | Tagged academics, amoa, art world, arthouse, artists, blanton, Claire Ruud, collectors, control of resources, critics, curators, dana friis-hansen, directors, distinctions, foundations, gallerists, Jeffrey Pfeffer, knowledge, ned rifkin, networks, philanthropists, power in the art world, Power: Why Some People Have It—and Others Don’t, simone wicha, sources of power, Sue Graze, taste, The Coppola Smart Mob |
