By Paula Newton on May 18, 2013
There seems to be a recent interest in Turkish film, as proven by the recent inaugural Turkish Film Festival at the MFAH, and now Austin’s [...]
Posted in Newswire, Uncategorized | Tagged alamo drafthouse, amoa, austin film, Ekrem Serdar, ERC, Experimantal Response Cinema, Küçük Sinemalar, Turkish Film Festival |
By Leslie Castro on February 4, 2013
I’m glad to see Laguna Gloria being used as an art spot within the AMOA-Arthouse dialog, but there still seem to be some issues [...]
Posted in LMC y Pensamientos Pochosos, Uncategorized | Tagged amoa, Ann Tarantino, arthouse, Bethany Johnson, Laguna Glaoria, Shapeshifting |
By GT contributors on September 6, 2012
Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super [...]
Posted in Article, Feature, Uncategorized | Tagged a useful life, A Wrinkle In Time, aaron landsman, aaron parazette, amoa, Andy Campbell, Andy Coolquitt, animals, Ann Stautberg, Anne Wilkes Tucker, Annenberg Space for Photography, archetype, Architecture, art, Art Museum of Southeast Texas, arthouse, Artpace, austin, austin museum of art, BEAUMONT, ben lima, Benito Huerta, Beverly Penn, blaffer, box 13 artspace, Brooklyn Museum, bureaucracy, Burt Long, Canis Familiaris, Carter Ernst, Cathy Cunningham-Little, Charles Jones, Charmaine Locke, children, Chinati Weekend 2012, chris powell, claes oldenburg, Co-Lab, Co-Lab Projects, Colby Bird, collage, Colombia University, commercial images, Conduit Gallery, contemporary, coosje van bruggen, Corcoran Gallery of Art, Corinne Jones, Cornelia Parker, cosmopolitanism, culture, dallas, DB12: Volume 2, denison university, Día de los Muertos, diverseworks, DIY, Documentary, East Texas, Ed Hill, el paso museum of art, El Paso Public Library, Elizabeth Akamatsu, Emily Roysdon, erika osborne, Eugene Binder Gallery, Eva Rothschild, exhibition, Federico Veiroj, film, Fl!ght gallery, fort worth, Fort Worth Contemporary Arts, found objects, Frank Tolbert, FringeNYC, front gallery, glassblowing, Global Lens, Gregg Bordowitz, hair, Harris Lieberman Gallery, Harry Geffert, Hilary Harnischfeger, House Lamps, Houston, installation, james surls, janeil engelstad, Janet Chaffee, Jeffers Theatre, Jerolyn & Roger Colombik, jesus moroles, Joan Batson, joe rosenthal, john wilcox, Judy Rushin, Julie Bozzi, Justin Parr, Ken Little, kia neill, Kris Pierce, Kristin Gamez, Lawndale, Lesbians to the Rescue, Letitia & Sedrick Huckaby, Liam Gillick, Linda Ridgway, Liza & Lee Littlefield, local government, LTTR, Manuel Carrillo, Marfa, mari hernandez, Marianne Green, Mario Ybarra Jr., mark cole, Mark McDaniel, Martha Rosler, más rudas collective, Más Triste San Antonio, menil, menil drawing institute, mexic-arte, mfah, michelle white, mitchell center, Modern Art Museum of Fort Worth, modernism, modular design, Mona Hatoum, Moody Gallery, multimedia, multimedia storytelling, museum of fine arts, Nasher Sculpture Center, natalie zelt, New York International Fringe Festival, nut milk, NYIFF, off-the-grid, Otis Jones, painting, panhandle, Paul Kittelson, paul strand, performance art, Photographic Society of America, photography, piero fenci, pop art, public action, Randy Twaddle, Rebecca Drolen, Renzo Piano, richard wentworth, rio grande valley, robert kinmont, Ruth Leonela Buentello, San Antonio, Sarah Castillo, sauerkraut, Shannon & William Cannings, Sharon Engelstein, Sightings, silkscreen, Slanguage, sol lewitt, south texas underground film, SRO Photo Gallery, Stephen Lapthisophon, Susan Budge, sustainable farming, Suzanne Bloom, technology, terri thornton, Terry & Jo Harvey Allen, Texas, Texas State University Galleries, texas tech, The Dallas Bienniel, The Guadalupe Cultural Arts Center, the Menil Collection, The Reading Room, The Sleepy Border Town Insomniacs, Tommy White, TRR, Unit B, university of georgia, university of texas pan american, UT Arlington, UTPA, VAC, Vernon Fisher, Vincent Falsetta, virtual, Visual Arts Center, Waiting for Godot, war, whole foods, will michels, William Campbell Contemporary, window works, women, women & their work, worm farm |
By Leslie Castro on January 11, 2012
With the New Year comes a time for reflection. This year my annual reflection comes straight off the heels of a two-week trip to [...]
Posted in LMC y Pensamientos Pochosos, Uncategorized | Tagged amoa, arthouse, austin, Distance, New Year, Transition, Visual Art World |
By GT contributors on January 3, 2012
Glasstire’s contributors suss out the season’s most promising shows. AUSTIN Evidence of Houdini’s Return Arthouse/AMOA January 4 – March 4, 2012 Arthouse and AMOA are [...]
Posted in Article, Feature, Uncategorized | Tagged amoa, arthouse, Bill Davenport, Diana Al-Hadid, Facundo Argañaraz, J. Parker Valentine, katie geha, Katja Mater, lucia simek, rainey knudson, Sarah Fisch, spring preview texas, Sterling Allen, Visual Art Center |
By Margaret Meehan on November 29, 2011
Visual AIDS began Day With(out) Art on December 1st, 1989 as a national day of action and mourning in response to the AIDS crisis. It [...]
Posted in Melba Toast | Tagged AIDS, amoa, arthouse, Artpace, Contemporary Arts Houston, creative time, Day without art, Fort Worth Contemporary, SMU Dallas, Texas, Visual AIDS |
By Claire Ruud on November 2, 2011
Think of a newlywed couple moving in together for the first time. Writing the prenup was hard and planning the wedding was an emotional rollercoaster, [...]
Posted in Blog | Tagged amoa, arthouse, austin art, austin museum of art, Merger, nonprofit mergers |
By Claire Ruud on October 7, 2011
When the AMoA and Arthouse announced that they were beginning discussions about some sort of merger, it kicked up a dust storm in Austin worthy [...]
Posted in Blog | Tagged amoa, arthouse, austin museum of art, nonprofit mergers |
By Claire Ruud on June 17, 2011
(For Part I and Part II, click here and here.) This series has considered the finances of a number of mid-sized, contemporary U.S. arts institutions [...]
Posted in Article, Feature | Tagged amoa, arthouse, Bill Arning, CAC, CAM, camh, Claire Ruud, Contemporary Art Museum Houston, Contemporary Art Museum St. Louis, Houston, Marti Mayo, New Orleans, St. Louis, stan vanderbeek |
By Bill Davenport on June 15, 2011
Graziella Marchicelli, Director of the Amarillo Museum of Art since 2006, was abruptly fired on May 13 for what T. Jay Reeves, the president-elect of [...]
Posted in Newswire | Tagged amarillo, amarillo museum of art, amoa, fired Graziella Marchicelli, Graziella Marchicelli, jay reeves |
By Claire Ruud on June 10, 2011
(To read Arthouse and the Dallas Contemporary: Crunching the Numbers, Part I, click here.) In 2009, the Austin Museum of Art (AMOA) cancelled its plans [...]
Posted in Article, Feature | Tagged 990s, amoa, AMOA Arthouse merger, annual surplus or deficit, arthouse, artlies, austin museum of art, blanton museum of art, budget, capital campaigns, Claire Ruud, Co-Lab, dana friis-hansen, Domy, fundraising, funraising efficiency, Laugna Gloria, MOCA, MOCA jacksonville, Museum of Contemporary Art Jacksonville, ned rifkin, New Art in Austin, Okay Mountain, Tucson Museum of Art |
By Bill Davenport on June 2, 2011
Dana Friis-Hansen, former director of the Austin Museum of Art, has been chosen as the next Director and CEO of the Grand Rapids Art Museum. [...]
Posted in Newswire | Tagged amoa, dana friis-hansen, friis-hansen grand rapids, grand rapids art museum |
By Claire Ruud on April 30, 2011
The implosion of the Austin art world has got me thinking about art world power dynamics, as I mentioned last week in my published correspondence [...]
Posted in Article, Feature | Tagged academics, amoa, art world, arthouse, artists, blanton, Claire Ruud, collectors, control of resources, critics, curators, dana friis-hansen, directors, distinctions, foundations, gallerists, Jeffrey Pfeffer, knowledge, ned rifkin, networks, philanthropists, power in the art world, Power: Why Some People Have It—and Others Don’t, simone wicha, sources of power, Sue Graze, taste, The Coppola Smart Mob |
By Bill Davenport on April 26, 2011
Ex-Austin Museum of Art curator and “art conoisseur” Dana Friis-Hansen will share the stage with burlesque dancer Jori Lodes, furniture maker Michael Yates, musician Southpaw [...]
Posted in Newswire | Tagged amoa, cthulu, dana friis-hansen, kucha hansen, pecha cucha, seaholm power plant pecha |
