Jessica Fuentes writes about the exhibition “Avedon’s West,” a museum-wide show reconsidering Richard Avedon's iconic series of portraits.
Review
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Review
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Leslie Thompson writes about Amy Cutler's exhibition "Past, Present, Progress," on view at Ruby City in San Antonio.
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Megan Wilson Krznarich reviews Eduardo Sarabia's immersive exhibition of ceramics, paintings, and other artworks at Dallas Contemporary.
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Review
Remixing the Classics: Adde Russell at Commerce Gallery, Lockhart
by Bucky Millerby Bucky MillerBucky Miller reviews a solo exhibition by artist Adde Russell, which was recently on view at Commerce Gallery in Lockhart.
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Lorena Fernandez reviews the exhibition "Milton Becerra: Kinetic Webs," which is curated by Mari Carmen Ramirez and on view at the Transart Foundation for Art and Anthropology.
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William Sarradet writes about the Barbie movie and about recent shows in Dallas-Fort Worth, at the Oak Cliff Cultural Center, the Modern Art Museum of Fort Worth, Pencil on Paper Gallery, and Dallas Contemporary.
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Christine Gwillim writes about a suite of performances by chamber music group Agarita at the San Antonio Museum of Art.
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Review
Unbounded Forms: “Full and Pure: Body, Materiality, Gender” at the Green Family Art Foundation, Dallas
Emma Ahmad reviews the exhibition "Full And Pure: Body, Materiality, Gender," on view at the Green Family Art Foundation in Dallas.
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Jacky Cortiaus reviews an exhibition of exquisitely detailed drawings by artist Gray Foy, on view at the Menil Drawing Institute in Houston.
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Review
A Residency Reunion: “(RAiR reCONNECT 2013-2023)” at Bone Springs Art Space, Roswell
by Hannah Deanby Hannah DeanHannah Dean reviews a show featuring five artists who have participated in the Roswell Artist-in-Residence program.
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Jessica Fuentes writes about Jay Wilkinson’s solo show “Free Dirt” at Bale Creek Allen Gallery in Fort Worth.
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Barbara Purcell escribe sobre la mitad neoyorquina de la exposición "I Am Not Your Mexican" en la Ruiz-Healy Art.
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Leslie Thompson reviews a prescient exhibition by Fort Worth artist Corrie Thompson, on view at the Old Jail Art Center in Albany.
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William Sarradet writes about the art, new studio spaces, and performances he encountered during a visit to Austin in July of 2023.
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Colette Copeland writes about her experience visiting the most recent Meow Wolf installation, "The Real Unreal" in Grapevine, Texas.
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EspañolReview
“I Am Not Your Mexican” en la Ruiz-Healy Art es espacialmente fluido
by Ashley Allenby Ashley AllenAshley Allen reseña la exposición "I Am Not Your Mexican" en la galería Ruiz-Healy Art en San Antonio.
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Garland Fielder reviews the exhibition "William Kentridge: In Praise of Shadows," on view at the Museum of Fine Arts, Houston.
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Review
Competing with Lightning/Rivalizando con el Relámpago: Eamon Ore-Giron at The Contemporary Austin
Leslie Thompson reviews an exhibition featuring 20 years of work by artist and musician Eamon Ore-Giron.
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Review
Review: “Patrick Renner: Once & Future Architecture” at Architecture Center Houston
by Doug Welshby Doug WelshDoug Welsh reviews an immersive exhibition by Houston artist Patrick Renner, on view at Architecture Center Houston.
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Review
“Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch” at the Briscoe Western Art Museum
Caroline Frost reviews an exhibition featuring artists shown by the legendary Arizona art dealer Elaine Horwitch.