Jill Bedgood writes about ecological sustainability in the art world, challenging us to think creatively about the sustainability of art openings and events.
Op Ed
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Ningún artista despertó un día y dijo de repente “¡de verdad me gustaría decorar una caja eléctrica!”.
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A comic by the Houston, Texas-based artist John Forse.
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When children wander through the museum.
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Jessica Fuentes write about the past, present, and future of Fort Worth's art scene.
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Matthew Bourbon remembers Vernon Fisher.
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Matthew Bourbon writes about an artwork by Merlin James, which was recently on view with Kerlin Gallery at the Dallas Art Fair.
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Caleb Bell recalls his recent visit to Lumiere, a mobile tintype portrait studio in Austin.
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Deana Craighead reflects upon her first year as Curator of Art at the Panhandle-Plains Historical Museum in Canyon, Texas.
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Gonna find out who's naughty and nice.
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William Sarradet recounts his favorite moments from 2022 that didn't make it to publication.
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John Forse imagines Norman Rockwell's iconic "Freedom from Want" as a victim of the recent food-inspired climate change protests.
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EspañolOp Ed
Se requieren obras de arte: Las estafas y el artista emergente
by Hannah Deanby Hannah DeanHannah Dean habla de cómo saber si te quieren estafar y robar tu arte (o tu dinero).
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Op EdReview
Dead Edges and Open Wounds: Considering “The Border is a Weapon/ Frontera es un Arma,” Curated by Gil Rocha
by Ricky Yanasby Ricky YanasPhiladelphia based artist and writer Ricky Yanas reviews "Border is a Weapon," a group exhibition about the U.S.-Mexico border.
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“Caminar, en particular andar sin rumbo o dar un paseo, ya es—con la cultura de la velocidad de nuestros tiempos—un tipo de resistencia… un método bastante inmediato para desenvolver las historias.”
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A comic by Houston-based artist John Forse.
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Tiny Target, thanks for the memories.
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Bad-faith readings of other people’s intentions are built into their thinking.
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This is my last week here, and I will miss it.
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You can see some of John Forse’s other comics by visiting his Glasstire author page.