Henry Kelly writes about his recent experience watching “The Novelist’s Film” by Hong Sang-soo, which screened at the Museum of Fine Arts, Houston.
Essay
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Leslie Moody Castro writes about a recent studio visit with Texas artist Beili Liu in Venice, Italy, a city that is constantly on the mend.
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Leslie Moody Castro recounts her visit to the site-specific, large-scale artwork by Anselm Kiefer at the Doge's Palace in Venice.
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Ruben C. Cordova on the life and career of artist Meret Oppenheim.
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Writer and curator Leslie Moody Castro writes about a past Venice that continues to contend with its precarious future.
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Leslie Moody Castro recounts her visit to the Venice Biennale, and reflects on an exhibition she curated in the city of 25 artists from Mexico.
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Jessica Fuentes reflects on paintings and prints by Agnes Martin, which are included in the Modern Art Museum of Fort Worth’s permanent collection.
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Leslie Moody Castro reflects on her time and residency in Venice during November 2022.
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Hills Snyder writes about the imagery of patriotic flags, in relation to music and his own work.
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The fourth installment in Ruben Cordova's annual essay on Day of the Dead Catrinas, this time focusing on the work of artist Brandon Maldonado.
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Colette Copeland recounts her takeaways from her time at as an artist-in-resident at the Field Kitchen Academy in Germany.
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Ruben Cordova on the history behind the looting of Spirit Lodge, a cache of art and objects found in present-day Oklahoma.
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Bucky Miller revisits photo reviews he wrote for his Instagram followers during the height of the COVID pandemic.
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Jessica Fuentes discusses why Rufino Tamayo's large-scale painting, "El Hombre,” is a uniquely Mexican artwork.
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Jessica Fuentes nos cuenta cómo las exposiciones cocuradas ayudan a expandir las perspectivas de los museos.
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Liz Kim nos cuenta de su reciente visita a Laredo y habla de los esfuerzos de una nueva organización por fortalecer los programas de arte en la ciudad.
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Essay
Painting the Plague During a Time of Plague: Albert Alvarez’s “Thus, Death Came Through the Windows,” 2020-2022
Ruben C. Cordova on a pertinent painting by San Antonio-based artist Albert Alvarez.
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Bucky Miller recalls his first few weeks of the pandemic, including a visit to Pie Town, New Mexico.
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Ashley Allen reflects on her recent summer in Berlin, her culture shock, and how she embraced the sense of being out of place.
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Mientras otros mercados hacen distinciones entre las prácticas de estudio (bellas artes) y la artesanía (técnicas basadas en habilidades), en El Salvador la distinción parece ser más cercana a la de producción de arte plástico versus su fabricación.