Maker has transformed grayDUCK from a serene, open space to a maze of disjointed fractions. The exhibition rolls 30 pieces deep, which is a high number given the scale of the works.
While the artwork certainly benefited from its handsome setting and thoughtful installation, many pieces also stood easily on their own.
Evett had his first solo exhibition at Laguna Gloria in Austin in 1956. His current show, at Hunt Gallery in San Antonio, runs through April 30.
Preventing awfulness should not be the aim of a public art selection process.
Scenes from the crowd at this year's Art Car Parade in Houston.
In my defense, most overtly political art stinks.
Nina Hartman is the kind of thinker who fits right into the world of Farewell Books, and her aesthetic is easily connected to her experience as a zine maker.
The iconic 1966 image Standard Station by Ed Ruscha sets the compass at Regarding Ruscha at the McNay Art Museum.
Maybe this is not such a strange place to look at art after all.
Imagine replacing the giant sculpture of Lincoln in the Lincoln Memorial, but leaving the outline of the original piece on the floor.
Engelstein’s drawings can come off as stubborn and rigid, but give them time: soon they will warm up and start telling some pretty odd and particular stories.
I pointed my Instagram-primed iPhone up at the blocks, tilting back until the espresso I forgot I was holding dumped all over my face and collar. I blame you, Lewis.Tsurumaki.Lewis!
A telling image of a young Doug sitting on the bumper of a 1941 Buick Roadmaster holding his Gibson ES175: he’s already brimming with confidence and charisma — He knew he had it.
The week's best art events in Texas, some amateur climate modeling, and a pratfall.
Best known for his distinguished body of portraits and self-portraits, Ángel Rodríguez-Díaz has also established himself as an accomplished printmaker and public artist.
Austin-based multimedia artist Luke Saviski's Ht/X event opens Houston's CounterCurrent 15 festival.
Nowhere else can you make as pointed a statement about commodification, while still being so wretchedly complicit!
This is a truly international fair. I don’t mind the low ceilings at all anymore.
French Street Artists have changed the face of urban art for everyone, giving the genre credibility and the sort of elegance that only the French can achieve.
Together, SOFA Gallery, Ruggiero, Wick, and this exhibition embody the hope and the drawbacks of contemporary art in Austin.