Guest host Matt Stromberg joins Rainey Knudson in Los Angeles to run down some must-see shows for the summer.
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My problem here is not that the work is light and playful; it is that Ronay so casually references such immensely fraught symbolism in the name of play.
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There is so much distance between the objects and their referents. Zefeldt paints that distance into punchlines.
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This may be the most absurd Fourth of July article we’ve seen as of yet. Some highlights: Jason Galvin used a .22-caliber rifle to fire 150 shots at the rope and…
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This is how I learned this story, on Saturday mornings in the ’70s. Certainly one of the catchier Schoolhouse Rock tunes. (“That’s called taxation without representation, and it’s not fair.”) Happy…
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There’s no one story of any empire and there’s no one story of America. I’ve been telling my family’s story in my work for nearly 20 years now. I’ve only recently been thinking about what my identity as an American artist is.
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Glasstire correspondents Brandon Zech and Ariane Roesch checked in with summer visitors of Yayoi Kusama's signature installation at The Museum of Fine Arts, Houston. Reactions were varied.
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Samandari's goal is to locate a sort of collective soul.
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Profile
An Interview with Alyson Shotz on Her New Work in San Antonio
by Chad Dawkinsby Chad DawkinsChad Dawkins asks the Brooklyn-based artist about what went into this site-specific sculpture commissioned by Blue Star Contemporary and the San Antonio Botanical Garden
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The show: WIM: Volume Two: A Polaroid Show The venue: Tomo Mags The city: Houston The date: June 25, 2016 Photographs by Sidney Mori …
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Christina Rees and Brandon Zech on the abundance of summer group shows, a roving art space as a "curatorial idea," and how to win art on Ebay.
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Bruce Nauman, 1973. “Those who don’t know history are doomed to repeat it.” – Edmund Burke
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During my recent trip to Los Angeles, I was able to see the dazzling Jizzy Lizzy‘s (aka Liz Toonkel) new work-in-progress performance at PAM, a one to two-month performance residency program…
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Alexander Paulus has created a crowded installation of grotesque figurative paintings that are unapologetically in your face and ridiculously successful.
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Where: Club Pro, Los Angeles Who: Gracie Devito Title: Jazz Rollercoaster, La Bonheur “Devito has created a large-scale track engineered specifically for the blueprint of the gallery interspersed with sculptural…
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It’s June 27. H-Town represent.
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In his act of creating a second authentic artistic identity Guston has shown me, and many generations of artists, that losing faith in an idea of yourself as an artist doesn’t have to be the end. You can make art after disillusionment.
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Already there is evidence of voters saying: "I didn't realize this would be the outcome; if I could vote again, I'd reverse my vote.”
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Valderas' signs wield cultural vernacular as armor in an aesthetic skirmish. They’re here to provoke.
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