Neil Fauerso reviews a solo exhibition of paintings and ceramics by artist Jim Shrosbree, on view at Spellerberg Projects in Lockhart, Texas.
Neil Fauerso
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There is an absolute serenity, but things are happening.
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Review
Redefining the Portrait: “The Sitter” at Blue Star Contemporary
by Neil Fauersoby Neil FauersoThe exhibition provides space for several artists to not simply tell their stories, but to spin a whole intricate and lush world.
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What separates a great movie from a great TV series? Anything? I believe something does.
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Preview
A Philosophy of Food and Culture: Adán Medrano’s “Truly Texas Mexican”
by Neil Fauersoby Neil FauersoThe documentary is unapologetic about its mission of decolonization, and presents one of the most clear-eyed articulations of the concept I've encountered.
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EspañolReview
Nuevo nombre, nuevos rumbos: La Sala de Arte Popular Latinoamericano en el Museo de Arte de San Antonio
by Neil Fauersoby Neil FauersoLa frase “arte popular” es una pequeña pero importante redefinición de la amplia y nebulosa categoría “arte folclórico.”
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There’s an eerie serendipity to visiting these shows during this ever-unfurling new reality.
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In Hannibal, the terrible Ridley Scott-directed sequel to The Silence of the Lambs, Gary Oldman plays an antagonist named Mason Verger. Verger is a wealthy pedophile who was once a…
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An exhortation to the world of immersive art: please take me to hell. After all, we already live there.
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Drive By
Francis & Anthony Almendárez: Navigating The Archives Within
by Neil Fauersoby Neil FauersoThe project is the navigation of the perilous and labyrinthine archives of one’s identity and history.
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Review
New Name, New Directions: The Latin American Popular Art Gallery at San Antonio Museum of Art
by Neil Fauersoby Neil FauersoThe phrase “Popular Art” is a small but important redefinition of the broad and nebulous category of folk art.
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We are now in the phase of Grandpa Lynch.
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One of the pleasures of the show is that you don’t have to be knowledgeable or really even have any interest in Theatre Arts or Robert Tobin’s life or collection.
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I don’t know what’s going to happen. It’s a new feeling — fear with some glimmer of the unknown, actual change like light diffusing off the bend of a mountain tunnel.
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The three shows use the tactility, dimension, and heft of their objects for narrative immersion.
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Review
Oh, Solitude: Gabriel García Márquez at the Harry Ransom Center, Austin
by Neil Fauersoby Neil FauersoIt is fascinating to see the skeleton of such an awe-inspiring work in the form of drafts, notes, and marginalia.
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While we think we are the hero of our own movie, we're actually merely one villain of many in a rogue’s gallery that just drifts on and on, like a steadicam tracking shot.
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Alain Resnais' melancholic, rapturous depiction of a brief encounter between two married people in the scarred city of Hiroshima is a jewel of the French New Wave movement.
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Many of us think this is finally the time we will complete our Major Project. I suggest a more modest goal: watch art films you were too tired or busy to watch in the past.
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Phewwwww. This was a recommendation by a friend (thanks?) and is one of the scariest and most unsettling things I’ve ever seen.