This weekend marks the 8th edition of Burning Bones Press' now-annual It Came From The Bayou printmaking extravaganza in Houston.
Brandon Zech
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During his time at The Contemporary Austin, Mr. Grachos oversaw a dynamic re-imagining of the museum's programming and physical spaces.
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His idea for the technique came from a method used by Leonardo da Vinci, for which the master artist used numbered backgrounds to indicate to students and apprentices where to place each color.
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Learn About Ukrainian Easter Eggs with Houston Artist Nestor Topchy
by Brandon Zechby Brandon ZechMade using a wax-resist method of dying, similar to that of batik fabric painting, the Ukranian tradition of pysanky goes back thousands of years.
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ex ovo is run by Allison Klion, and will operate out of Erin Cluley Gallery's former space on Fabrication Street.
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Given annually, the four awards are decided from a pool of nominated Texans by a panel review process and a selection committee.
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Originally scheduled for May of 2020, the festival, which was to be located on a private ranch outside of Marfa, has been a topic of debate in the region ever since its plans were made public earlier this year.
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In this post-Harvey period, the art center has been focusing on its longevity in the city: namely, it has been engaged in a capital campaign to fund the construction of a new building and campus for its programming and sculpture collection.
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Here’s the Schedule for the 2019 Latino Art Now! Conference in Houston
by Brandon Zechby Brandon ZechThis 2019 conference, which is themed "Sight Lines and Time Frames," will be held at the University of Houston, and includes lectures, panel discussions, conversations, and more by local and national artists and scholars.
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Given out to five North America-based projects, the $2,500 award is designed to support projects that build on NALAC's mission of advocating for and developing all aspects of Latinx art.
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Light and the Rothko Chapel’s Architectural Design: A Panel Discussion
by Brandon Zechby Brandon ZechThough the Chapel's original design included a large skylight, the Texas sun was too intense for the building.
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Started by architects Astrid Klein and Mark Dytham in 2003, PechaKucha is a lecture series designed to give artists and other creatives a shot at selling themselves and their work, with one catch.
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The space, which was founded by Martha Hughes in 2017, will take on a slight name change with it reestablishment, reflecting a new part of its programming: Marfa Works on Paper + Ceramic Arts.
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Now in its fifth edition, the triennial was founded by curator Dan Cameron as a response to the damage Hurricane Katrina wrought on New Orleans in 2005.
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Celebrate the Closing of Las Cruxes’ Brick and Mortar Space with Art by Emma Kohlmann
by Brandon Zechby Brandon ZechFounded by Veronica Ortuño, the store has played many roles in the city's creative community: boutique, art gallery, record store, and a community and gathering space.
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The workshop is specifically geared toward teaching attendees how to make bones — a sculptural form that often anchors Kopriva's work.
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This isn't the first time in recent years that The Modern has curated artist submissions for an exhibition-related project.
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Austin's program that commissions and oversees the city's public art recently announced an open call for a mosaic artwork that will be located in south central Austin.
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Now in its fifth year (and with a growing number of applicants), 100W actually selected fewer residents for the residency sessions that take place in 2019, allowing individual artists and writers more time to use the organization's writing and art studios.
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Though the website was made with Houston in mind, its advice and guidance can be universally applied to artists and other organizations who are in harm's way.