It’s an everyman’s Citizen Kane set under Texas skies, interpreted through the alienation of a Sam Shepard play and the quiet longing and restrained hope of a Wim Wenders road movie. In other words, it is really, deeply good.
Daily Archives
October 26, 2013
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News
Adrian Piper Pulls Out of CAMH Traveling Show, Calls for Multi-Ethnic Exhibitions
by Paula Newtonby Paula NewtonWhen Radical Presence: Black Performance in Contemporary Art opened at the Contemporary Arts Museum Houston (CAMH) late last year, it generated a lot of excitement and received some positive and…