Photography’s long-sought after decisive moment is happening more and more online, as meta-photographers aim their sensitivities at vast databases of machine-collected imagery from Google and other sources. In The Nine Eyes of Google Street View, a review of Jon Rafman’s recent exhibition at London’s Saatchi Gallery, Marco Bohr equates the recognition of significant images in the sea of automatically-collected Google street view data with Cartier-Bresson’s street-photography mantra. Apparently it’s happening all over: other artists who appropriate Google Street View images, such as Mishka Henner in the UK, Michael Wolf in Germany or Doug Rickard in the US are blurring photography’s once well-defended boundaries of authorship.
also by Bill Davenport
- Lego My Art! - January 30th, 2016
- Archive: Painting on My Planet/The Top Ten Painters in Houston - January 1st, 2016
- Archive: Tire Iron 0: Cropduster: Hills Snyder/Chris Sauter - December 28th, 2015
- DMA Crane Flip Video - April 26th, 2015
- Helmreich New Dean of Fine Arts at TCU - April 25th, 2015