This piece, just to the right of the door (I always work counterclockwise) was the first thing I looked at at the London Open at the Whitechapel Gallery, and the only one I photographed before the vigilant guard stopped me, but it’s typical. The two photos of Big Ben were supposedly taken before and after the conservative takeover of parliament two years ago. The new regime brought in a larger flag and, apparently, better weather, but I read the piece as sarcastic. A clever little idea, well executed, but not earthshaking. That’s pretty much the story of the London Open this time around.
The art on the streets was, if no more complex, at least funnier. These traffic barriers were set up alongside Spitalfields Market, to shield construction equipment. Big concrete blocks were printed with several variations on typical postwar apartment buildings, called “council blocks”, or “tower blocks” that are scattered throughout London like bits of gristle in cheap salami. Ha, Ha!
also by Bill Davenport
- Video: Advice from Mark Flood - May 30th, 2013
- Andy Coolquitt: Attainable Excellence - May 26th, 2013
- Art as Anesthesia: Schlesinger's "Along Here and There" Eases a Trek in SA - May 14th, 2013
- IMAS Director Joe Bravo Resigns, Leaving 17 Page Letter - May 13th, 2013
- Heavy Rains Delay Today's Art Car Parade - May 11th, 2013