This piece, just to the right of the door (I always work counterclockwise) was the first thing I looked at at the London Open at the Whitechapel Gallery, and the only one I photographed before the vigilant guard stopped me, but it’s typical. The two photos of Big Ben were supposedly taken before and after the conservative takeover of parliament two years ago. The new regime brought in a larger flag and, apparently, better weather, but I read the piece as sarcastic. A clever little idea, well executed, but not earthshaking. That’s pretty much the story of the London Open this time around.
The art on the streets was, if no more complex, at least funnier. These traffic barriers were set up alongside Spitalfields Market, to shield construction equipment. Big concrete blocks were printed with several variations on typical postwar apartment buildings, called “council blocks”, or “tower blocks” that are scattered throughout London like bits of gristle in cheap salami. Ha, Ha!
also by Bill Davenport
- SMU’S Art Research Center Measures Vibrancy of Art Cities. Washington D.C. #1! - January 25th, 2015
- Monet on Ice: How Spectacular Art is Ruining the PR Stunt - January 20th, 2015
- Artists Remove Work From Houston City Hall in Solidarity with Ed Wilson - January 20th, 2015
- Make a Mess with the Oliver Herring Experience! - January 18th, 2015
- Don't Find Us, We'll Find You. New Invitation-Only Artist Residency Opens in Marfa - January 17th, 2015