"Leaps into the Void: Documents of Nouveau Realist Performance" at
Menil Collection is a show you won’t see anywhere else in Texas, or most of the U.S. for
that matter. There just isn’t a collection with the same quirky focus on rare moments in the French avant-garde elsewhere in this country.
The show’s objects, almost all from the Menil’s own collection,
document the brief but important Nouveau Réalisme movement in France in
the 1960s. It involved the artists Yves Klein, Niki de Saint Phalle,
Jean Tinguely, Martial Raysse, Christo, Mimmo
Rotella and Arman, among others. This
movement roughly corresponds to Fluxus (and to a lesser extent,
Pop) in the U.S., and its most iconic performance is Klein’s Le saut dans le vide (The Leap into the
Not only does the Menil have
original photographs of The Leap, they have a surprising 4 copies
of Klein’s one-day newspaper Dimanche, on
view, as well as an actual roofing tile from the building in Fontenay-Aux Roses from which Klein flung his body. Dominique de Menil herself
went to collect the tile, pilgrimage-style, and it remains in her museum’s
collection wrapped in the original paper napkin with her notes written
on it. According to the show’s curator Michelle White, this tile was the initial inspiration for the show.
Klein’s is the most recognizable work in the small, 2-gallery exhibit, there are also wonderful objects by Jean Tinguely and Niki de Saint Phalle. The large monstrous sculpture below is mechanical: its arms move and its mouth opens when the wheel turns, revealing a knife in its lower jaw.
(in the foreground)
Jean Tinguely / Niki de Saint-Phalle, M.O.N.S.T.R.E., 1964
Motorized assemblage: cast steel and iron, painted newsprint and fabric
overwire; electric motor, plastic, rubber and plastic toys, fabric and twine
92-7/8 x 60-3/4 x 40 inches w/base. (88-5/8 x 60-3/4 x 38 inches w/o
The Menil Collection, Houston, gift of the artists
© 2009 Artists Rights Society (ARS), New York / ADAGP, Paris
The antenna with the feather on Tinguely’s kinetic sculpture below moves back and forth, picking up any radio frequencies in the air. White says the sound is similar to an FM radio when you move dial dial quickly up and down: bits of static, bits of voices, snatches of songs.
These are some of the more obscure sculptures in the Menil’s collection,
and they haven’t been on view in years. All the mechanical objects will be run sequentially for 30 seconds on the hour, every hour, from 12 – 6 pm for the run
of the show.
In addition to these sculptures, there’s a video of Niki de Saint Phalle’s shooting performance in Malibu from 1962, which is groovy beyond words: the former model, looking like a Bond girl in a skintight white jumpsuit, takes aim at a white wall of objects, each of which is filled with a different color of paint. There are also a couple of splattered objects on view from other of her shooting-as-painting performances.
Niki de Saint Phalle doing her thing. [Internet photo]
Finally, there’s an unbelievably groove-tacular video by Francois de Menil from 1966 that documents Hon, the giant Peter Max-esque sculpture of a woman that viewers entered through the vagina:
On the heels of last year’s enjoyable "Body in Fragments," "Leaps into the Void" is another small gem of a show that showcases an interesting facet of the Menil’s wonderfully idiosyncratic collection, and also illuminates a somewhat obscure moment in art history. It’s on view March 19 – August 8, 2010.
[FYI, here are some public programs associated with the show]
Saturday, March 20, 2010,
FotoFest Gallery Talk: Michelle White on
Shunk’s Leaps into the Void
On October 23, 1960,
photographer Harry Shunk’s camera captured artist Yves Klein hurling
from a Parisian rooftop. The now iconic photographs that capture this
are shrouded in secrecy. Join exhibition curator Michelle White for a
talk about Shunk’s photographs. Main foyer, The Menil Collection.
free but seated is limited.
Sunday, March 21, 2010, 7:30
Outdoor Film Screening
Yves Klein, la révolution
bleue (France, 2006) Directed by
François Lévy‐Kuentz Category : Documentary. France/2006/Betacam/colour,
fiction” is a remarkable introduction to abstract art through one of its
influential personalities. Yves Klein’s career lasted only eight years,
1954 to 1962, but he managed to shake the foundations of modern art.
portrait, featuring unreleased archival material (including Klein’s own
examines the artist’s meteoric career and the mysterious correlations
through his work. Co‐sponsored by the Consulate General of France in
and the Texan‐French Alliance for the Arts.
also by Rainey Knudson
- Catching up with Okay Mountain - February 4th, 2011
- Two Great Shows, Part 1: Dan H. Phillips at Webb Gallery - December 16th, 2010
- Toby Kamps moves across town - July 14th, 2010
- Who's Afraid of the Big bad Show? - July 8th, 2010
- Dear Old Umeå, or Art Where It Never Gets Dark - June 24th, 2010