August is the month to get away from Houston’s heat, and this year, as usual, I visited family in the UK, with a side trip to the southern France for espadrilles and a relief from the cold drizzle (known as "summer" in Britain), which, while a refreshing change from 90+ humidity at home, gets old fast on the beaches.
These are The Delvers, one of a series of pointy rocks along England’s southern coast. The local post office/gift shop had a charming book titled "Shipwrecks of the South Hams" which, with many gleeful photos, cataloged every ship wrecked on them for the past couple hundred years. It’s a thick book.
While searching for keen pebbles nearby, I came across this mysterious archetype in the sand. It’s not a fire pit, or the remnants of a clambake. It’s not exactly a figure, but it bears some resemblance to nearby druidic megaliths. Utterly temporary and ad hoc it’s a manifestation of the art impulse al fresco.
In a back alley in Antibes, France, I came across similar pebbles embedded in stucco. The plant motif, along with the piece’s permanence, show clearly it’s origins in a settled, agrarian society.
The only museum I visited was the disappointing Museé Picasso in Antibes. Upstairs, in Picasso’s old studio, hangs a poor selection of the master’s late works; the other three floors of the castle-like building by the sea are a warehouse of second-tier copycats: a testimonial to how much bad art can be inspired by one man.
also by Bill Davenport
- Lego My Art! - January 30th, 2016
- Archive: Painting on My Planet/The Top Ten Painters in Houston - January 1st, 2016
- Archive: Tire Iron 0: Cropduster: Hills Snyder/Chris Sauter - December 28th, 2015
- DMA Crane Flip Video - April 26th, 2015
- Helmreich New Dean of Fine Arts at TCU - April 25th, 2015