Hilary Harnischfeger’s debut show at Never Work gallery on New York’s Lower East Side is praised by Keran Rosenberg in a capsule review intoday’s New York Times. The accompanying photo of an abstract collision of plaster, ink, and crushed glass seems different from her piece at Houston’s Contemporary art Museum in 2002, or the glittery glam fantasy works she showed at Moody Gallery in 2001
Harnsichfeger in the limelight
