“Madame Bovary, c’est moi,” Flaubert famously remarked.
April 2, 2005
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Risk and Growth: A Look at the UTD Southside Artist Residency Program
by Maria Sheetsby Maria SheetsTo create works of provocation, one must take risks. If in that process you make life long connections personally or professionally, consider yourself lucky. If additionally, you find yourself in…
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An ongoing conversation between Terrell James and Virgil Grotfeldt in April 2005
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Pot-luck, an installation by Lynne McCabe, is the third in a row of shows put on by Houston artists at Cactus Bra.
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Given the fact that there have been other attempts at big serial shows in Texas before, few of which have lived to see another incarnation in the promised two or…
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In her current show at Women and Their Work, Soody Sharifi collaborates with her son Payam to expand her photographic investigation of the contrasts of public and private that characterize…
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Lora Reynolds is currently showing Ewan Gibbs’ drawings, From the Empire State Building, a series in which Gibbs uses scenes of the city as a means of exploring the mechanics…
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Camp Fig, which enjoys a great location in downtown Austin, seems to be the ideal venue for a two-person show. The gallery is small, but it has a strorefront façade,…
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Hmm, how do I explain the Media Archeology: Live Cinema put on by Aurora Picture Show?
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Jessica Yu’s documentary film In the Realms of the Unreal is an insightful and sympathetic look at the famous outsider artist Henry Darger.
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San Antonio’s art community has a witty sense of space. Recycling commercial spaces for uses far off the original mark is almost a hallmark.