Ed note: the following is a response to the first article published on Glasstire, a review of Karim Rashid’s exhibition Pleasurscape by Rainey Knudson. You can also see a response by Carl Gustav Horn…
January 2, 2001
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James Gallery, like several other Houston galleries, is a house converted into exhibition space. Cropduster cleverly puns the space’s former identity, playing with the subtle distinction between sculptural objects and…
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Lisa Ludwig’s show Stupor, at Moody Gallery, is romantic in the classic sense: evoking a feeling of sentimental fragility centered on traditionally feminine images such as flowers, candy, fruit, and…
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Al Souza has been making mosaics from jigsaw puzzles for a while now, but these are his best yet.
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From Leonardo’s landscapes based on cracks in plaster walls to Jean Arp’s scattered paper collages, artists have always sought fresh visual forms by inventing systems that distance themselves from their…
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Drawings are a housebroken art form with separate rules from other art. Since it is difficult for a drawing to compete with paintings and sculpture on the basis of sheer…
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Ed note: the following is a response to the first article published on Glasstire, a review of Karim Rashid’s exhibition Pleasurscape by Rainey Knudson. You can also see a response by Stephen Fox…
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Last week, visitors to the Rice University Art Gallery got to take off their shoes and indulge in the pleasure of Pleasurscape, designer Karim Rashid’s groovy new installation. Sitting in…